The tragic tale of poor Serge,
the one-fork, one-eyed Belgian
By David Benjamin
PARIS — At a café last week, Hotlips and I
found that our waiter had provided us, to eat our repast, a single fork.
This oversight, swiftly repaired, recalled a memory from my distant
past, when I spent six weeks in Brussels.
At the time, I knew a Belge named Serge, a Francophone
Walloon who had grown up desperately poor in the wretchedest ghetto of
Flanderdam, a bigoted village in Dutch-speaking Flanders. His mother,
after giving birth to nine emaciated and sickly children, began dying of
consumption at age 28 and continued to do so, bedridden and coughing
great gobbets of blood and lung tissue, for the next 22 years. Serge’s
father, Levi, was a well-meaning but hapless entrepreneur who opened, in
the heart of the village, a tavern called the Walloon Saloon — named so
in a spasm of ethnic pride. However, the prosperous French-hating
Flemish citizens of the village shunned the tavern, leaving only a
handful of jobless Walloons to squander the odd sou or centime on the cheapest of rotgut booze.
So poor was Serge’s family that, when they could afford to eat at
all, they had but one fork to share among them. Often a meal consisted
of just one bean and one wilted sprig of pissonlit per child. The
fork would go ‘round the table ‘til all the pathetic provender was
gone. To relieve the crushing pathos at these moments, Serge — the
eldest — invented little twirls and flourishes whenever he passed the
fork, amusing his siblings so richly that, now and then, one of them
smiled.
As time passed, Serge became extraordinarily clever with his forkery, spinning the fourchette,
bouncing it off the table, tossing it and catching it behind his back,
making it dance on his fingers like a silvery elf. His brothers and
sisters now smiled frequently, but Serge’s mother was frightened.
“Oh, Serge, don’t do that. The fork is so sharp,” she would say. “You could put your eye out.”
But
Serge persevered, practicing daily, long into the clammy Belgian night.
One day, daringly, he sneaked the family fork out of the house, to a
street corner in downtown Flanderdam. There, he took the fork from his
tattered waistcoat and began to perform, turning the humble utensil into
a veritable blur of flashing reflections and cutlery choreography.
A few passersby managed to stifle their anti-Wallonian prejudice
long enough to pause, and watch Serge’s dazzling prestidigitation. One
Flemish observer even smiled. Most amazing to Serge was that one tossed a
centime at him.
Soon, Serge was known throughout Flanderdam as “Forkboy.” He was able to take home, after eight or nine hours of street-corner fourchetterie, as much as seven precious centimes. Each child’s bean ration rose, some days, as high as four.
But then, tragedy struck. Attempting a perilous maneuver — which
required a one-hand cartwheel while he tossed his fork high in the air,
after which he would catch it in his teeth, head thrown back, in the
classic croise derriere position — Serge miscalculated and put his eye out.
For months after, Serge — wearing a eye patch — languished at his
father’s saloon, wallowing in self-pity. He was little consoled when the
national health service provided him with a used glass eye, plucked
from the corpse of a cyclopean gypsy palm-reader.
But one day, half-drunk and bored, Serge popped out his glass eye,
drew the family fork from a pocket and began to juggle the two unlikely
objects above the bar. It came to him naturally. Soon, a crowd of clochards
and dipsos surrounded Serge, oohing, aahing and occasionally coughing
stertorously. Suddenly, Serge realized that, by putting out his eye, he
had come up with a new and better act.
He took it to the street. Within days, he was standing on the old
corner, in the midst of a cheering throng, juggling his fork, his eye
and any number of objects he was able to find in the vicinity — a paving
stone, a wine bottle, a baguette, an umbrella, a bicycle, a lapdog.
Finally, one day, he had collected so many centimes in his hat that
he was able to go to Flanderdam’s biggest box store, Flem-Mart, and buy —
for each member of his family — a brand, shiny new stainless-steel fork
of their very own.
From that moment, Serge knew that Flanderdam was too small for his
wondrous forkery. He got on the bus and moved to Brussels, where he soon
graduated from street busker to cabaret act. At first, he worked only
in grubby bars and burlesque theaters. But one night, he was spotted by a
scout from the Schmeling Bros. Bavarian Circus, the greatest show in
all of Holland, Belgium, France and Germany.
Serge joined the circus and, in a few years, he was commanding the
center ring, with his family (except for his consumptive mother, still
dying back in Flanderdam) in the front row, all wearing crisp new
overalls from Flem-Mart. After the show, Serge proudly introduced his
father and his eight siblings to his fiancée, Valerie Voluptua, Europe’s
most beautiful trapeze artist.
Valerie’s act, which required her — without a net — to somersault
ten times in mid-air and then extend a single hand to be seized by her
partner, lest she plunge to her death in the dirt below, was so
captivating and graceful that she had become the toast of the continent.
And yet, she loved humble Serge, the one-eyed, one-fork Walloon from
the wrong side of the Scheldt.
Serge couldn’t believe his good fortune.
But it lasted only ‘til his wedding night.
They
had the Bridal Suite, in Brussels’ finest hotel. The wondrous Valerie,
still a virgin, lay atop the sheets, demurely unfastening her gold lamé trapeze outfit. Mad with love, Serge burst from the salle de bain,
wearing nothing but a crimson eye patch and a heart-shaped tattoo
inscribed with a “V.” With unerring skill, Serge juggled his glass eye
and a champagne bottle in one hand while, with the other hand, he thrust
his glistening fork playfully at Valerie’s last unopened button.
Valerie recoiled in horror.
“Eek!” quoth Valerie. “Sick,
sick, sick! You forking pervert! Don’t touch me with that thing!” and
she fled into the bathroom, locking the door.
Hours later, having
failed to coax his newlywed darling out of hiding, Serge was at his
wit’s end. He called hotel security. The house dick arrived and assessed
the situation instantly. He’d seen it a hundred times before.
He laid a fatherly arm on Serge’s shoulder and offered him a smoke.
“Kid, I hate to tell ya, but this marriage is done,” he said. “Stick a
fork in it.”
Thursday, May 22, 2014
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